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|2014 Willa Cather Spring Conference|
Mapping Literary Landscapes: Environments and Ecosystems
June 5 - 7, 2014 | Red Cloud, Nebraska
The Willa Cather Foundation is pleased to welcome Clay Jenkinson, popular cultural commentator and host of NPR's, The Thomas Jefferson Hour. Jenkinson, a native of North Dakota, has gained notoriety for his portrayals of historical figures such as Thomas Jefferson, Meriwether Lewis, John Wesley Powell, Theodore Roosevelt, Robert Oppenheimer, and John Steinbeck. A recipient of the Charles Frankel Award, the National Endowment for the Humanities highest award, Jenkinson was the first public humanities speaker to present a program at a White House-sponsored event.
We are also pleased to display West of Last Chance, a collaborative exhibition featuring the work of Colorado's landscape photographer Peter Brown and the writing of Kent Haruf, hanging in the Red Cloud Opera House auditorium during Spring Conference. West of Last Chance won the Dorothea Lange-Paul Taylor Prize. The exhibit is organized by the Museum of Nebraska Art, through the ARTreach program.
The event will also feature the landscapes of Nebraska native Catherine Meier, scholarly and creative panel presentations, an Opera House production of My Ántonia by Minneapolis-based Illusion Theater, and activities on the Willa Cather Memorial Prairie.
The 3-day event will focus on the complex impact of the natural environment on Cather and her contemporaries, and on the writers and artists of the generations that have followed. Drawing upon recent scholarly analyses focused on Cather's "ecological imagination," this conference seeks to broaden and extend these ideas, both within Cather studies and beyond. From her earliest fiction, Cather was closely attuned to the world around her, and her beautifully limned landscapes are integral to her characters, defining them and their situations. In O Pioneers! and My Ántonia, Cather was the first American novelist to treat the Plains of Nebraska as setting; as such, she taught her readers how to read that landscape, how to integrate with it. Beyond grasslands, Cather mapped many other literary landscapes: the Southwest in three novels, colonial Quebec in Shadows on the Rock, the New York streetscape in "Coming, Aphrodite!" --Throughout, we experience the reverse of what Cather says of Clement Sebastian in Lucy Gayheart: he "had missed the deepest of all companionships, a relation with the earth itself, with a countryside and a people." Her characters possess--and are possessed by--landscapes, formidable and formative environments, that shape and color Cather's work. While acknowledging connections to Cather and to her far-seeing art, we encourage analyses drawing from similar concerns and sharing a similar ecological imagination while focusing elsewhere.
The 2014 Spring Conference will provide a lively forum for discussing Cather's environments and her environmental themes. With the Cather Prairie as a perfect backdrop, scholars, artists, and readers will discuss the many literary mappings in her fiction and the informing landscapes of her life. Important to this discussion are those writers, artists, and scholars who continue to interpret the landscapes that Cather loved. The one-day scholarly symposium preceding the conference (Thursday June 5, 2014) will focus on Cather's various environments, her diverse literary mappings. Having taught readers to understand the Plains, Cather and her influence have persisted as presences. How has that affected today's ecological thinking? Who might also be seen in similar fashion? How has such ecologically sensitive writing shaped contemporary environmental writing? Which other figures need to be seen as compatible?
A unique and popular feature of the Willa Cather Spring Conference is that all people are welcome and can participate. The Willa Cather Foundation encourages anyone who might be interested in Cather's life or works to attend, including recreational readers, local history buffs, students, teachers, and professional scholars.
Registration opening soon!