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Located in Cather’s childhood hometown of Red Cloud, Nebraska, the Center provides almost 20,000 square feet of space that includes a public museum, archive, research center, classroom, bookstore, art gallery, and performing arts center. The Center occupies Red Cloud’s historic “Moon Block,” an 1887 structure that was fully restored and given new life as the National Willa Cather Center.

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rendering of the future Hotel Garber

Preserve the Potter-Wright Building

New life as Hotel Garber

Imagine, a 27-room boutique hotel in downtown Red Cloud. Hotel Garber will be just that, and more! The Potter-Wright Building rehabilitation will breathe new life into a 1901 structure. In addition to aligning with our commitment to historic preservation, the property will provide much-needed lodging for tourists and expanded meeting facilities for events and retreats. It will allow our visitors to the National Willa Cather Center to stay longer to enjoy the museum and all that Cather loved about Webster County.

 

Willa Cather's birth home, a white farmhouse in disrepair

The Willa Cather Birthplace

Support for Future Preservation

Willa Cather's birth home, a rural farmhouse in the Shenandoah Valley of Virginia, is at risk of collapse. The original wooden structure, which is in disrepair, will require significant restoration in order to be saved. In May 2023 a Virginia realtor purchased the house, sparing it from demolition. Her intention is to donate it to a nonprofit within a year. The Willa Cather Foundation is continuing to work alongside stakeholders in Virginia to ensure the site's preservation.

 

seating area in the Burlington Depot with two benches and a warming stove.

Reinterpreting the Burlington Depot

Support Our Newest Exhibit

The Burlington Depot has undergone significant improvements. The original two-story section of the depot, constructed in 1897, is the building Cather was familiar with during her last years in Red Cloud. Cather uses the depot as a setting in many of her works, like My Ántonia, “The Sculptor’s Funeral,” Lucy Gayheart, and an early play, “The West Bound Train.” Now that restoration is complete, attention turns to reinterpretation, as the Burlington Depot functions as the crucial backdrop to telling the story of Willa Cather’s initial encounters with the Nebraska frontier and its varied people.

Donations of $1,000 or more will be featured on the exhibit's credit panel.