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Opera House

Red Cloud Opera House

"When I go about among little Nebraska towns, the thing I miss most is the Opera House." 

—Willa Cather, Personal Interview

Built in 1885 as the Morhart & Fulton Building, the Red Cloud Opera House transports visitors back in time to set the mood, scene, and tone of the 1890s, when Willa Cather and her friends eagerly anticipated the arrival of traveling productions such as The Bohemian Girl and The Mikado. As Cather herself put it, "Only real people speaking the lines can give us that feeling of living along with them, of participating in their existence."

It was in the Red Cloud Opera House that Willa Cather first experienced theater and opera, performed on the Opera House stage, and delivered her high school graduation oration in 1890. Today, the Red Cloud Opera House features a full performance schedule and is home to the Willa Cather Foundation offices, art gallery and bookstore. 

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About the Morhart & Fulton Building

In 1885, Red Cloud was an energetic and growing town when Adam Morhart partnered with B. F. Mizer and Robert R. Fulton to build the main street two-story structure known as the Opera House. Mr. Mizer’s grocery business occupied the north store on the ground level and Mr. Morhart and Mr. Fulton embarked on a hardware business in the south half of the first floor. The stage and auditorium occupied the second story. 

Adam and his wife, Mary, had three sons. After Adam died in 1915, two of the sons, Elbert (Bert) and Stace followed in their father’s footsteps and carried on the business as the Morhart Brothers Hardware until 1953. Then it was leased to Coast to Coast Hardware until 2001, when renovation work began on this grand historic building. 

Originally, Opera House patrons reached the second floor stage and auditorium by a long single staircase that rose straight from the mainstreet sidewalk. The Opera House closed in 1919 and was converted to a warehouse for the hardware business downstairs. Some original features of the building still remain intact. The floors on both levels as well as the stage were stabilized, cleaned and polished to retain their original appearance. The original lights were gas, fed from a large tank in the basement. Later electricity replaced the gas lights. Reproductions of the original auditorium chandeliers were crafted during the restoration to maintain the special ambiance. 

The original numbered theater seats were spoke-backed chairs nailed to long planks to align them in straight rows. When Bert and Mabel Morhart created an apartment in the northeast quadrant of the auditorium in 1935, Mabel removed several from the planks and painted them a cream color trimmed in burgundy to match the décor of their apartment. A few of these spoke-backed chairs are placed outside the auditorium doors today. 

Bert and Mabel named their son, Frank Elbert Morhart. Frank became a successful man in Hastings and traveled extensively, but he never outgrew his love for Red Cloud, Nebraska. He and his wife, Henrietta, maintained the Opera House apartment to use as a retreat when they visited their many friends in the town they always called “home.” 

Henrietta envisioned the Opera House on the National Register for Historic Places. The goal was reached in 1980 when the Opera House, along with several other Red Cloud buildings and sites associated with Willa Cather’s life, were entered in the National Register. 

Frank E. Morhart, gifted the building to the Willa Cather Foundation in 1991. Because of his generosity, many generations enjoy countless opportunities to experience entertainment, art, and culture at the Opera House.

Willa Cather Speaking About The Opera House
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Willa Cather

These excerpts are from a letter Willa Cather wrote in the Diamond Jubilee edition of the Omaha World-Herald on October 27, 1929. It was later re-published in the Red Cloud Chief:

"When I go about among little Nebraska towns, the thing I miss most is the Opera House. A traveling stock company settled down at the local hotel and thrilled and entertained us for a week."

"That was a wonderful week for children. The excitement began when the advance man came to town and posted the bills on the side of a barn, on the lumberyard fence, in the 'plate glass' windows of drug stores and grocery stores. My playmates and I used to stand for an hour after school, studying every word of those posters; the names of the plays and the nights on which each would be given. After we had decided which were the most necessary to us, there was always the question of how far we could prevail upon our parents. Would they let us go every night, or only on opening and closing nights?"

"How good some of those old traveling companies were, and how honestly they did their work and tried to put on a creditable performance. There was the Andrews Opera Company, for example; they usually had a good voice or two among them, a small orchestra and a painstaking conductor, who was also the pianist. What good luck for a country child to hear those tuneful old operas sung by people who were doing their best: The Bohemian Girl, The Chimes of Normandy, Martha, The Mikado. Nothing takes hold of a child like living people."

"But I am sorry that the old Opera Houses in the prairie towns are dark, because they really did give a deeper thrill, at least to the children. It did us good to weep at East Lynne, even if the actress was fairly bad and the play absurd. Children have about a hundred years of unlived life wound up in them, and they want to be living some of it. Only real people speaking the lines can give us that feeling of living along with them, of participating in their existence. The poorest of the old road companies were at least made up of people who wanted to be actors and tried to be--that alone goes a long way. The very poorest of all were Uncle Tom's Cabin companies, but even they had living bloodhounds. How the barking of these dogs behind the scenes used to make us catch our breath! That alone was worth the price of admission, as the star used to say, when he came before the curtain."

..Very Cordially Yours,

Willa Cather

1885 Opera House Renovation
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Renovation Photo

The Red Cloud Opera House, which closed its doors as such by 1920, was owned by the Morhart family for 106 years until it was donated to the Willa Cather Foundation in 1991. Over the years it has been used for various businesses, offices, apartments, and storage.

The Willa Cather Foundation raised $1.2 million for the renovation, and in May 2001 launched a $1.1 endowment campaign for program and operational support. The National Endowment for the Humanities awarded the Willa Cather Foundation a $275,000 challenge grant for the Opera House in December 2001, which the Foundation matched three-to-one and met its goal in July 2006.

Renovation started in August 2001 and was completed in February 2003 by Farris Construction of Hastings, Nebraska.

The renovated structure houses not only the original second-floor auditorium and lobby, but also a first-floor visitors' center, bookstore, art gallery and exhibition space, and the Willa Cather Foundation offices.

The exterior of the historic Red Cloud Opera House has been restored to look much as it did in 1885. The original cast-iron facade columns have been cleaned, refurbished, and painted, and the brick masonry construction re-conditioned to its original appearance. The double-hung upper floor windows have been restored to the original configuration, and now contain arched openings.

A fire-rated stair enclosure is located at the rear of the building to service all levels of the Opera House, and a new passenger elevator has been installed, as well as new toilet facilities, heating systems, fire protection systems, electrical services, and lighting and power distribution systems.